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This is a common warning for numerous people that jointly caring for a dog post-separation is a recipe for trouble. Most will argue such situations impede ex-partners from finding closure, create logistical nightmares, spark arguments, and are a nuisance for all parties. Apparently, in a revelation worthy of a streaming movie, it also makes the dogs themselves to become depressed.

While respecting the inner life of dogs – pet parents observe their remarkable empathy. To witness a standout portrayal in dog sorrow, one need only look recent cinema. There is little doubt that a dog of Merv's nature, a wired-hair terrier mix portrayed by Gus the Dog, would have a hard time coping with life in two homes. If this concept a feature-length romcom around this situation is sustainable is debatable at best.

Standard Holiday Fare

To its credit, Merv, crafted by Dane Clark and Linsey Stewart and helmed by Jessica Swale, doesn't pretend to be more profound than what it is. We have here a seasonal offering from a streaming platform giant – the depth remains surface-level. Its storyline unfolds as uncomplicated: exes Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, forced to acknowledge that their post-breakup gloom is surpassed by their dog's, embark on a uplifting getaway to a canine-centric retreat. There, inevitably, they will surely stumble toward the idea that they belong with each other. Ensemble players – played by familiar faces – serve as eccentric, underutilized, or over-the-top. Visually has the quality of a streaming service original, with a Christmas setting that is clearly manufactured – as seen in flurries clinging to lush pines as a summer location stands in for a wintery Boston.

Where the Film Shines

If these familiar elements come together into a pleasant experience hinges on the actors' work and one's taste for easy entertainment. Regarding the second aspect, Merv knows its audience – those people who seek out for pet content. Audiences receive a plethora of canine-centric sequences. The main attraction is the dog, and even if it causes some stilted moments between animal action and human reaction, the movie does offer walking sequences, dog depression, and, finally, a tail-wagging resolution.

The Human Element

The same praise is not earned for the human side of the story. The tone wavers between relationship drama, wacky comedy, formulaic romance, and silly gags, not quite landing any one mode. No blame falls on Cox's performance, who is admirably committed the humiliating and funny inherent in the dog resort scenario. He brings a endearing lack of ego that supplies the bulk of the chemistry for this ostensibly perfect couple. Anna's portrayer, as is her trademark, injects a particular brand of eccentricity that will click for some but not others. Her portrayal comes across as a bit too dry, especially when paired with Cox's genuine sadness. (It should be noted, Merv himself succeeds in flopping and whining – while no a canine thespian of that caliber, he's definitely an excellent dog.)

The film attempts to add substance to the central romance for scenes without their pet – which is unfortunate, considering the title character is undoubtedly the cutest element of this film designed for charm. Expectedly, it meets the bare minimum. The cause for the split would feel more grounded and mature with more screen time and more subtle storytelling. In the end, Merv is light and sugary, fulfilling precisely what you anticipate. Making a film with this canine conflict is not terrible – even if it's not exactly a great one either.

• Merv streams on Prime Video starting December 10.